Christobal Riffo Giampaoli

The Passeggiata Project | Turin, Italy | Unit 21 | 2018   Click to see Design Realisation Click image to zoom–> “Urban space is a place where there is always something happening; the space of event and action, tensed by the contradictions between the state’s planning strategies and the ludic appropriation of space-time whereby the inhabitants continually reinvent an ephemeral city”. —-Bernard Tschumi As evening falls and the harsh sun inches

Francesca Pringle Y5

Francesca Pringle

REINVENTING WINTER IN HELSINKI | Helsinki, Finland | Unit 21 | 2015 Awarded Merit for Design Click to see Thesis Click to see 4th Year Work   Reinventing Winter in Helsinki   Helsinki has positioned at 60olatitude making it the third most northern capital in the world. Due to this the summer days are long with up to 19 and a half hours of daylight and temperatures up to 35oC. Outside

Wendy Lin

PAVILION | Tremenheere Art Park, Penzance | Unit 21 | 2013 CITY LIBRARY | Tangier, Morocco | Unit 21 | 2013 Pavilion The project explores how historic events can be used as an inspiration for architectural design. The new pavilion at Tremenheere Sculpture Gardens translates the past qualities of a 15th Century vineyard that previously existed on the site. Rosettes were designed based on vine-leaves that can be grown on site

Simona Schroeder

PAVILION | Tremenheere Art Park, Penzance | Unit 21 | 2013 SEEING THE UNSEEN | Tangier, Morocco | Unit 21 | 2013 Pavilion Seeing the Unseen // Tangier’s Horizontal Medina “We are not tourists. We are travelers” – “Oh. What is the difference?” – “A tourist is someone who thinks about going home the moment they arrive … Whereas a traveler might not come back at all” (Paul Bowles – The

Naomi Gibson

PANORAMA | London | Unit 21 | 2013 PAVILION | Tremenheere Art Park, Penzance | Unit 21 | 2013 STOCK EXCHANGE | Tangier, Morocco | Unit 21 | 2013 Panorama = “The Panorama-Map of Pedestrian Navigation” The intention for this project was to produce a drawing that expressed the pedestrian experience and also formed a navigational tool for complex junctions. The characteristics useful to navigation in both panoramas and maps

Emma Carter

PANORAMA | London | Unit 21 | 2013 TROPICAL LANDSCAPE | Tremenheere Art Park, Penzance | Unit 21 | 2013 B[R]EACHING | Tangier, Morocco | Unit 21 | 2013 The Graphical Memoires of Alexandra Palace The designs explore the possibilities of physical, climatic and social manipulation in situations of varied environments. Project 01, The Graphical Memoires of Alexandra Palace, investigates the relationship of the visually apparent and the hidden views

Hong Hew

PANORAMA | London | Unit 21 | 2013 PAVILION | Tremenheere Art Park, Penzance | Unit 21 | 2013 FOLKLORE MUSEUM | Tangier, Morocco | Unit 21 | 2013 The Pavilion of Manufactured Experience and The Museum of Folklore This year’s project begins with an exploration to study the relationship between motion and perception experience using a panorama. Our movement in space defines the views we see, and our means

Tess Martin

PANORAMA | London | Unit 21 | 2013 PAVILION | Tremenheere Art Park, Penzance | Unit 21 | 2013 THE SIX HOUR CITY | Tangier, Morocco | Unit 21 | 2013 Panorama: Recording St. Paul’s Cathedral As we experience a space or place by walking in and around it, we make a constant stream of observations. The eye constantly flits between objects, movements and moments. We store and remember places, streets

Alex Gazetas

Pavilion | Tremenheere Art Park, Cornwall | Unit 21 | 2013 Ibn Battuta Plaza | Tangier, Morocco | Unit 21 | 2013    Andrea Palladio intended his buildings to be proportionate, comfortable and useful. To this end he devised detailed principles of construction based on his study of Ancient Roman architecture, which he set out in his treatise ‘I Quattro Libri dell’Architettura.’ Palladio’s principles worked together to produce the elegant

Sayan Skandarajah

PANORAMA | London | Unit 21 | 2013 PAVILION | Tremenheere Art Park, Penzance | Unit 21 | 2013 RESTITUTED TERRITORIES | Tangier, Morocco | Unit 21 | 2013 Between a Glimpse and A front “Between a glimpse and a front” examines the potential of subversion within the realm of visual perception. The project exploits the limits of the line of sight, using it as a tool to conceal, highlight and