Mina Gospavic

BERLIN ARTSPARK | Berlin | Unit 21 | 2012 | Awarded Distinction in Design   ‘Intervention in the existing city, in its residual spaces, in its folded interstices can no longer be comfortable or effacious in the manner postulated by the modern movement’s official model of enlightened tradition…[but rather through attention to continuity] of the flows, the energies, the rhythms established by the passing of time and loss of limits’ –

Naomi Gibson

PANORAMA | London | Unit 21 | 2013 PAVILION | Tremenheere Art Park, Penzance | Unit 21 | 2013 STOCK EXCHANGE | Tangier, Morocco | Unit 21 | 2013 Panorama = “The Panorama-Map of Pedestrian Navigation” The intention for this project was to produce a drawing that expressed the pedestrian experience and also formed a navigational tool for complex junctions. The characteristics useful to navigation in both panoramas and maps

Risa Nagasaki

Pavilion The new pavilion consisting of a multi-functional space and a gallery, overlooks the majestic Mounts Bay and the iconic St.Michael’s Mount. The architecture explores the idea of shifting focus and views of the local landscape to create different and individual experiences, playing with the idea of blurring the boundaries between architecture and nature. When first approached, the architecture is hidden within the forest of trees and only once walking

Hong Hew

PANORAMA | London | Unit 21 | 2013 PAVILION | Tremenheere Art Park, Penzance | Unit 21 | 2013 FOLKLORE MUSEUM | Tangier, Morocco | Unit 21 | 2013 The Pavilion of Manufactured Experience and The Museum of Folklore This year’s project begins with an exploration to study the relationship between motion and perception experience using a panorama. Our movement in space defines the views we see, and our means

Tess Martin

PANORAMA | London | Unit 21 | 2013 PAVILION | Tremenheere Art Park, Penzance | Unit 21 | 2013 THE SIX HOUR CITY | Tangier, Morocco | Unit 21 | 2013 Panorama: Recording St. Paul’s Cathedral As we experience a space or place by walking in and around it, we make a constant stream of observations. The eye constantly flits between objects, movements and moments. We store and remember places, streets

Sayan Skandarajah

PANORAMA | London | Unit 21 | 2013 PAVILION | Tremenheere Art Park, Penzance | Unit 21 | 2013 RESTITUTED TERRITORIES | Tangier, Morocco | Unit 21 | 2013 Between a Glimpse and A front “Between a glimpse and a front” examines the potential of subversion within the realm of visual perception. The project exploits the limits of the line of sight, using it as a tool to conceal, highlight and