Carrie Behar

SPA RESORT | Sopot, Poland | Unit 21 | 2009   The project was concerned with ideas of the ornamental and decorative in architecture. This interest came about as the result of research that was carried out about Polish vernacular building techniques and traditional Polish crafts. Preliminary experimental models developed a formal language that was inspired by the re-interpretation of one particular Polish craft called ‘Wycinanki’ or ‘cut papers’. This

Mina Gospavic

BERLIN ARTSPARK | Berlin | Unit 21 | 2012 | Awarded Distinction in Design   ‘Intervention in the existing city, in its residual spaces, in its folded interstices can no longer be comfortable or effacious in the manner postulated by the modern movement’s official model of enlightened tradition…[but rather through attention to continuity] of the flows, the energies, the rhythms established by the passing of time and loss of limits’ –

Emma Carter

PANORAMA | London | Unit 21 | 2013 TROPICAL LANDSCAPE | Tremenheere Art Park, Penzance | Unit 21 | 2013 B[R]EACHING | Tangier, Morocco | Unit 21 | 2013 The Graphical Memoires of Alexandra Palace The designs explore the possibilities of physical, climatic and social manipulation in situations of varied environments. Project 01, The Graphical Memoires of Alexandra Palace, investigates the relationship of the visually apparent and the hidden views

Alex Gazetas

Pavilion | Tremenheere Art Park, Cornwall | Unit 21 | 2013 Ibn Battuta Plaza | Tangier, Morocco | Unit 21 | 2013    Andrea Palladio intended his buildings to be proportionate, comfortable and useful. To this end he devised detailed principles of construction based on his study of Ancient Roman architecture, which he set out in his treatise ‘I Quattro Libri dell’Architettura.’ Palladio’s principles worked together to produce the elegant