Ayaka Suzuki Y4

PICTURE HOUSE FOR THE TURKISH MOTION IMAGE | Istanbul | Unit 21 | 2011 Snow; “it made the city look new, not only covering up the mud, the filth and the neglect, but by producing in every street and every view an element of surprise…” Situated amongst the long-lost memories of the celebrated past of the city, the Picture House reflects how the novelist Orhan Pamuk remembers his black-and-white childhood

Costa Elia Y5

    THE ISTIKLAL CADDESI MONUMENT AND THE BUYUKADA MUSEUM | Istanbul | Unit 21 | 2011 Awarded Distinction for Design & Merit for Thesis RIBA Silver Medal Nomination in Thesis                                                                              

Alicia Bourla Y5

FLOATING LIBRARY ISTANBUL | Istanbul | Unit 21 |  2011 Istanbul, an ‘archipelago of neighbourhoods’ is a city within which the East and West straddle amongst each other, ‘like memories plucked from dreams’. I propose a building in the water, where the density of the city disappears, within the marriage of the civilizations inhabiting the two banks of the strait. Concentrating on the Islamic tradi- tion and culture, I designed a

Paul Legon

ANAMORPHIC CITY HALL | Istanbul | Unit 21 | 2011 Awarded Distinction in Design                                                                                                                  

Yi Su Y4

MUSEUM OF MELANCHOLY | Istanbul | Unit 21 | 2011 The whole story comes from Orhan Pamuk’s book ‘Istanbul: Memories of a City’, in which ‘hüzün’, a Turkish expression of ‘melancholy’, is defined as a form of collective emotion shared by millions of people in Istanbul. In this book, people’s life and the landscape in Istanbul, become the best illustration of ‘Melancholy’. Based on Pamuk’s book, this Museum of Melancholy

Sarah Bromley

THEATRICAL PLEASURE GROUND ISTANBUL | Istanbul | Unit 21 | 2011 Located on the old site of the great Byzantium Cemetery in Istanbul. A series of models exploring the physical and non physical create a time-based landscape, that is part natural, part technological. The landscape comprises of theatrical machines that are split into three time-based categories: Automatic, Reactive and Interactive. Each of the categories relates back to one of the

Mina Gospavic

MUSEUM OF PANORAMIC CARTOGRAPHY | Istanbul | Unit 21 | 2011 The Istanbul Museum of Panoramic Cartography investigates how individual and public ways of viewing Istanbul can be catalogued and exhibited to allow the user to visually comprehend the city’s development and contemporary urban fabric. The museum is perceived externally as a mark in current views across the Golden Horn Peninsula and by ‘zoomscape’ views from the local infrastructural network.

Naomi Bryden

MUSEUM OF DEMOCRACY | Istanbul | Unit 21 | 2011 ‘The Museum of Democracy’ is a proposal to remember and embody the defining acts of Turkish Democracy. The museum’s architecture is concerned with the acts of seeing and symbolising the narratives which have defined the process of Democracy in Turkey. The museum is sited upon a political artefact Yassiada Island, located 8km off the eastern shore of Istanbul. The islands history

Sarah Alfraih

MUSEUM OF IDENTITY | Istanbul | Unit 21 | 2011                                                                                                    Click to see Thesis   Situated in Istanbul, Museum of Identity,

Roger Molina Vera

Istanbul University Annex & The Urban Beach | Istanbul | Unit 21 | 2011     A Fog Harvesting Waterscape is designed to recreate the ambitious civic & public works that early Turkish Republic undertook over century ago. The designs of these parks, beaches, pools – places of enjoyment, recreation, and relaxation – gave Istanbul a new contemporary Western image; an goal still relevant, today, with Turkey’s accession bid to the

Tia Randall

PORTMANTEAU: THE SOUVENIR_COLLECTION | Istanbul | Unit 21 | 2011 The novel, ‘Istanbul – Memories and the City’ is a memoir to the home city of Orhan Pamuk. As he guides us through the back streets and waterways of Istanbul, he unveils the story of his boyhood. The project began by attempting to analyse the city using Pamuk’s memories of his childhood as the only source and create a physical response;