{"id":12653,"date":"2025-09-21T07:17:02","date_gmt":"2025-09-21T07:17:02","guid":{"rendered":"https:\/\/unit-21.com\/?p=12653"},"modified":"2025-09-21T07:17:02","modified_gmt":"2025-09-21T07:17:02","slug":"luke-shun-grbesa","status":"publish","type":"post","link":"https:\/\/unit-21.com\/?p=12653","title":{"rendered":"Luke Shun Grbesa"},"content":{"rendered":"\n<figure class=\"wp-block-table\"><table><tbody><tr><td>Z\u00d8NE-137 | Berlin, Germany | Unit 21 | 2025<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<div style=\"height:24px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td>Z\u00d8NE-137 is a Situationist Techno Park that proposes an assembly of listening and archival spaces that both celebrate and perform techno on a post-industrial site adjacent to K\u00f6pi 137 in South-East Berlin. Drawing from Situationist theory and techno subculture, the project blurs boundaries between structure, performance, and activation. Architecture becomes not a fixed composition but a programmable field of possibilities: spaces flicker, shift, and reform based on sensory input, energy availability, and user interaction. Combining the what3words mapping system and the d\u00e9rive as a Situationist device, a psychogeographic notation was developed to generate the language of the long and thin pieces that become part of the spatial performance within the park.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\">\n  <iframe src=\"https:\/\/player.vimeo.com\/video\/1093779911?autoplay=1&amp;loop=1&amp;muted=1&amp;background=1&amp;playsinline=1&amp;autopause=0&amp;title=0&amp;byline=0&amp;portrait=0\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" title=\"Bartlett_Summer_2024_MArch_PG21_Ioana_Drogeanu_02\">\n  <\/iframe>\n<\/div>\n<script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><br><strong>RGB Transformation<\/strong><br>Generated extrusions are stretched, scaled and moved based on their RGB values.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\">\n  <iframe src=\"https:\/\/player.vimeo.com\/video\/1093778607?autoplay=1&amp;loop=1&amp;muted=1&amp;background=1&amp;playsinline=1&amp;autopause=0&amp;title=0&amp;byline=0&amp;portrait=0\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" title=\"Bartlett_Summer_2024_MArch_PG21_Ioana_Drogeanu_02\">\n  <\/iframe>\n<\/div>\n<script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><br><strong>Listening Room Moving Render<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\">\n  <iframe src=\"https:\/\/player.vimeo.com\/video\/1093781617?autoplay=1&amp;loop=1&amp;muted=1&amp;background=1&amp;playsinline=1&amp;autopause=0&amp;title=0&amp;byline=0&amp;portrait=0\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" title=\"Bartlett_Summer_2024_MArch_PG21_Ioana_Drogeanu_03\">\n  <\/iframe>\n<\/div>\n<script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><br><strong>Plans and Sections<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\">\n  <iframe src=\"https:\/\/player.vimeo.com\/video\/1093779056?autoplay=1&amp;loop=1&amp;muted=1&amp;background=1&amp;playsinline=1&amp;autopause=0&amp;title=0&amp;byline=0&amp;portrait=0\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" title=\"Bartlett_Summer_2024_MArch_PG21_Ioana_Drogeanu_04_updated\">\n  <\/iframe>\n<\/div>\n<script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><br><strong>Interior and Exterior Views<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/progressive_redirect\/playback\/1093780434\/rendition\/1440p\/file.mp4?loc=external&amp;oauth2_token_id=1698139812&amp;signature=2518ad4f3795bd2e3928c55aa1a5e50ed9ee98efbadcc0503b6ee0e5a5e903cd\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"Bartlett_Summer_2024_MArch_PG21_Ioana_Drogeanu_05\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><br><strong>Listening Room Moving Drawing<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Z\u00d8NE-137 | Berlin, Germany | Unit 21 | 2025 Z\u00d8NE-137 is a Situationist Techno Park that proposes an assembly of listening and archival spaces that both celebrate and perform techno on a post-industrial site adjacent to K\u00f6pi 137 in South-East Berlin. Drawing from Situationist theory and techno subculture, the project blurs boundaries between structure, performance, and activation. Architecture becomes not a fixed composition but a programmable field of possibilities: spaces<\/p>\n<div class=\"read-more\"><a class=\"btn read-more-btn\" href=\"https:\/\/unit-21.com\/?p=12653\">Read More<\/a><\/div>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[768,769,7],"tags":[],"_links":{"self":[{"href":"https:\/\/unit-21.com\/index.php?rest_route=\/wp\/v2\/posts\/12653"}],"collection":[{"href":"https:\/\/unit-21.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/unit-21.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/unit-21.com\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/unit-21.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12653"}],"version-history":[{"count":2,"href":"https:\/\/unit-21.com\/index.php?rest_route=\/wp\/v2\/posts\/12653\/revisions"}],"predecessor-version":[{"id":12700,"href":"https:\/\/unit-21.com\/index.php?rest_route=\/wp\/v2\/posts\/12653\/revisions\/12700"}],"wp:attachment":[{"href":"https:\/\/unit-21.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/unit-21.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12653"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/unit-21.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}