PAVILION | Tremenheere Art Park, Penzance | Unit 21 | 2013 MEDINA PARASITE | Tangier, Morocco | Unit 21 | 2013 Tremenheere Wonderland In October the unit traveled to Cornwall where we visited the Tremenheere Sculpture Gardens; a completely artificial manifestation of a dream landscape with large scale exotic and sub-tropical planting interwoven with contemporary art installations. The fabricated landscape of the garden brought up an interesting question to do with
INTERZONE | Tangier, Morocco | Unit 21 | 2013 Performative Flooding of Tangier Interzone The chosen site exists in tension between the New Port and the Old Medina and offers dramatic panoramic views of Gibraltar and East Tangier Bay. It is an epitome of W.Burroughs “Interzone”, a zone in constant flux of blurred boundaries, reflecting on Tangier’s past as the African gateway to Europe and a melting pot of culture and
PAVILION | Tremenheere Art Park, Penzance | Unit 21 | 2013 CITY LIBRARY | Tangier, Morocco | Unit 21 | 2013 Pavilion The project explores how historic events can be used as an inspiration for architectural design. The new pavilion at Tremenheere Sculpture Gardens translates the past qualities of a 15th Century vineyard that previously existed on the site. Rosettes were designed based on vine-leaves that can be grown on site
PAVILION | Tremenheere Art Park, Penzance | Unit 21 | 2013 SEEING THE UNSEEN | Tangier, Morocco | Unit 21 | 2013 Pavilion Seeing the Unseen // Tangier’s Horizontal Medina “We are not tourists. We are travelers” – “Oh. What is the difference?” – “A tourist is someone who thinks about going home the moment they arrive … Whereas a traveler might not come back at all” (Paul Bowles – The
PANORAMA | London | Unit 21 | 2013 PAVILION | Tremenheere Art Park, Penzance | Unit 21 | 2013 LANDSCAPES OF LIMINALITY | Tangier, Morocco | Unit 21 | 2013 The Ambiguous City 45 Degree aerial imagery is captured from low-flying aircraft, providing us with a detailed and spatial panorama of the City of London. These photos are processed by machine, and stitched together for complete panoramic view. Errors in
PANORAMA | London | Unit 21 | 2013 PAVILION | Tremenheere Art Park, Penzance | Unit 21 | 2013 STOCK EXCHANGE | Tangier, Morocco | Unit 21 | 2013 Panorama = “The Panorama-Map of Pedestrian Navigation” The intention for this project was to produce a drawing that expressed the pedestrian experience and also formed a navigational tool for complex junctions. The characteristics useful to navigation in both panoramas and maps
PANORAMA | London | Unit 21 | 2013 TROPICAL LANDSCAPE | Tremenheere Art Park, Penzance | Unit 21 | 2013 B[R]EACHING | Tangier, Morocco | Unit 21 | 2013 The Graphical Memoires of Alexandra Palace The designs explore the possibilities of physical, climatic and social manipulation in situations of varied environments. Project 01, The Graphical Memoires of Alexandra Palace, investigates the relationship of the visually apparent and the hidden views
Pavilion The new pavilion consisting of a multi-functional space and a gallery, overlooks the majestic Mounts Bay and the iconic St.Michael’s Mount. The architecture explores the idea of shifting focus and views of the local landscape to create different and individual experiences, playing with the idea of blurring the boundaries between architecture and nature. When first approached, the architecture is hidden within the forest of trees and only once walking
PANORAMA | London | Unit 21 | 2013 PAVILION | Tremenheere Art Park, Penzance | Unit 21 | 2013 FOLKLORE MUSEUM | Tangier, Morocco | Unit 21 | 2013 The Pavilion of Manufactured Experience and The Museum of Folklore This year’s project begins with an exploration to study the relationship between motion and perception experience using a panorama. Our movement in space defines the views we see, and our means
PANORAMA | London | Unit 21 | 2013 PAVILION | Tremenheere Art Park, Penzance | Unit 21 | 2013 THE SIX HOUR CITY | Tangier, Morocco | Unit 21 | 2013 Panorama: Recording St. Paul’s Cathedral As we experience a space or place by walking in and around it, we make a constant stream of observations. The eye constantly flits between objects, movements and moments. We store and remember places, streets
Pavilion | Tremenheere Art Park, Cornwall | Unit 21 | 2013 Ibn Battuta Plaza | Tangier, Morocco | Unit 21 | 2013 Andrea Palladio intended his buildings to be proportionate, comfortable and useful. To this end he devised detailed principles of construction based on his study of Ancient Roman architecture, which he set out in his treatise ‘I Quattro Libri dell’Architettura.’ Palladio’s principles worked together to produce the elegant
PANORAMA | London | Unit 21 | 2013 PAVILION | Tremenheere Art Park, Penzance | Unit 21 | 2013 RESTITUTED TERRITORIES | Tangier, Morocco | Unit 21 | 2013 Between a Glimpse and A front “Between a glimpse and a front” examines the potential of subversion within the realm of visual perception. The project exploits the limits of the line of sight, using it as a tool to conceal, highlight and