Ioana Drogeanu

Towards a ‘Non-Universal’ Architecture: Designing with Others through Gestures (1:1 Scale) | Barcelona, Spain | Unit 21 | 2024ioana.drogeanu.18@ucl.ac.uk Click To See Thesis The project highlights the collaborative potential of digital tools in creating deeply personal and culturally resonant architectural experiences by integrating intangible cultural heritage into tangible forms. By tracing Spanish cultural gestures at a 1:1 scale in VR, we embed personal traces directly into architectural elements. Co-authorship with

Zijie Cai

Vivir la Utopia: Barcelona Anarchist Memorial | Barcelona, Spain | Unit 21 | 2024zijie.cai.18@ucl.ac.uk Click To See Thesis The Confederación Nacional del Trabajo (CNT), founded in 1910, marked the rise of Spanish anarchism, which united workers across Barcelona and Spain. Despite the decline of the CNT’s influence during the Franco regime, this project hopes to revive the movement’s legacy in contemporary memory by establishing an anarchist memorial at the former

Jess Georgelin

Metamorph | Barcelona, Spain | Unit 21 | 2024jess.georgelin.20@ucl.ac.uk The Centre for Lepidoptera research sits on the Turo de la Rovira hill overlooking Barcelona. A feedback system was developed as a way of rethinking rapid prototyping tools, where the final outcome was a product of the tool’s process, rather than a fixed outcome. The maker-object system involves objects that are both observers and observed, such as the interpreting apparatus that allows

Wei-Tse (Weitse) Wang

The Infinity Valley | Barcelona, Spain | Unit 21 | 2024weitse.wang.23@ucl.ac.uk With Spain’s ongoing challenges of rising energy costs and the demand for a more independent energy grid, the Infinity Valley represents a beacon of innovation, aiming to mitigate these issues. This project proposes the transformation of Barcelona’s highest mountain, Mount Tibidabo, into a “Battery” by 1 million cubic metres of water. The Infinity Valley incorporates the integration of pumped

Alexandros Photiou

Corazón De La Comunidad: Sequential Generation | Barcelona, Spain | Unit 21 | 2024alexandros.photiou.22@ucl.ac.uk Located on the “Aguas Park”, in the sequentially created Eixample district of Barcelona, this project proposes a novel approach to a community centre, in which the programme revolves around the creation of a community centre which supports and facilitates the cohabitation and interaction of children and the elderly. By utilizing a series of modular spaces, the proposal

Elle Ngamprasertpong

Swimming Landscape Formation | Barcelona, Spain | Unit 21 | 2024kullaphat.ngamprasertpong.20@ucl.ac.uk The project is a swimming landscape sitting on a hill site overlooking the city center. It is a formation of water landscape following a specific topography. From building scale to human scale, the building is designed following two principles: “viewing angles” and “light reflection”. All elements are designed to be part of the landscape, with water flowing naturally from

Pasathorn Srichaiyongphanich

Terra-Scape | Barcelona, Spain | Unit 21 | 2024pasathorn.srichaiyongphanich.20@ucl.ac.uk “Terra-Scape”, a ceramics gallery integrating greenery within 3D-printed bespoke terracotta systems. The initiative reintroduces buildings as green networks to Barcelona, the city’s rich ceramic tradition, historically valued for its adaptability to the Mediterranean climate. The project focuses on utilizing form and colour variations of bricks to control lights. By utilizing a customized image sampling script, nine 3D-printed brick systems are created to

Alex Perez

La Nova Generalitat Catalana | Barcelona, Spain | Unit 21 | 2024alex.perez.21@ucl.ac.uk In this project, we embark on a meticulous exploration of architectural design at a historically significant location. Our endeavour unfolds within a setting where preserving the existing façade, seating, and sand is paramount, rooted in a rich tapestry of historical relevance. The aim is to seamlessly integrate artificial intelligence with history and tradition, crafting a narrative that honours

Karina Lacraru

Learning The Ropes” – Barcelona Sailing Academy | Barcelona, Spain | Unit 21 | 2024karina.lacaru.22@ucl.ac.uk The project investigates the permanent courtship between sea and land, situating Barcelona’s Port Vell on the coastline of the built-up landscape. The Old Port represented the primary protector against storms, waves, and general inclement weather conditions. My chosen site, ‘Parc de Gossos’, a Dog Park – is currently a green space that functions as a

Wentong (Iris) Feng

Untitled Monuments | Barcelona, Spain | Unit 21 | 2024wentong.feng.21@ucl.ac.uk Nestled within the historical site of Barcelona’s 1888 World Exposition, ‘Untitled Monuments’ is a cultural center dedicated to film conservation and restoration. It uses a unique methodology where film acts as a generative script, determining the survival of image pixel points based on specific parameters. The site, Palacio de les Belles Arts, though demolished, remains significant to Barcelona’s cultural heritage

Xavier Thanki

Depositing Bodies of Data | Barcelona, Spain | Unit 21 | 2024xavier.thanki.23@ucl.ac.uk ‘Depositing Bodies of Data’ explores how data can be encrypted within a site to respond to climatic instabilities. Addressing the rising risk of flooding in the Ebre Delta, it proposes an inhabitable dunescape that harmonises with nature, to protect the regions culturally and economically vital rice farming industry. The project aims to develop a new architectural language by

Harrison Maddox

NEO-XANADU | Barcelona, Spain | Unit 21 | 2024harrison.maddox.18@ucl.ac.uk As the world experiences more extreme and frequent climatological events, as a direct consequence of the climate crisis, it is estimated that 410 million will be affected by rising sea levels by 2100. The effects of global warming have been accelerated by unsustainable energy production, extreme consumerism and outdated infrastructures & technology. NEO-XANADU is a project that attempts to explore an

Yuna Lee

Whispers in Shadows | Barcelona, Spain | Unit 21 | 2024yiwen.lee.21@ucl.ac.uk Located near Park Güell in Barcelona, my building project aims to provide a dedicated space for archaeological forensics and serve as an institute for learning and advancing knowledge in this field. This endeavor includes preserving artifacts and tracing their origins through time, offering insights into historical living conditions in Barcelona.Additionally, the project involves establishing a museum to exhibit these

Sneha Parashar

Resonant Geometries: The Mechanics of Dance | Barcelona, Spain | Unit 21 | 2024 sneha.parashar.20@ucl.ac.uk Located in the Eixample area of Barcelona, the music and dance department extension for the Maristes La Immaculada school provides an alternate environment for learning the creative arts. The seemingly abstract geometries throughout the building are formed from three different types of rhythms found in flamenco: heelwork, guitar music and vocals, formed through specified TouchDesigner

Yumeng Yang

Re-weaving Can Batlló | Barcelona, Spain | Unit 21 | 2024 yumeng.yang.22@ucl.ac.uk The project explores the growth pattern from the study and simulation of tree’s mychorrhizal networks. Utilizing Grasshopper scripts, simulation networks are crafted between sources, with initial routes avoiding existing obstacles in the first generation. A new script is then introduced to establish connections between these routes through form generation and curve interference. The results drive the next loop, which

Milda Knabikaite

Pocket Space Community Garden | Barcelona, Spain | Unit 21 | 2024 milda.knabikaite.22@ucl.ac.uk The project is driven by a design methodology which involved viewing the city through the lens of five scales of unconventional metrics. Barcelona was dissected into the key moments of its ongoing urban development, the analysis of which determined a set of Powers of Barcelona (referencing Powers of Ten™ 1977). These unconventional scales offered different strategies of

Jonathan Zhu

Hidden in Stereopsis | Florence, Italy | Unit 21 | 2023 This project investigates the use of computer vision ML techniques to create a piece of architecture on a site and city obsessed with the human act of looking. It proposes a paediatric ophthalmology specialist research and treatment centre open to the public by the 14th Century Torre de Niccolò, an ancient watchtower of the municipality previously as a part

Alp Amasya

The Blue | Dungeness, UK | Unit 21 | 2021 The Blue is a film park that consists of multiple film galleries and filmmaker residencies that create a place of pilgrimage for Derek Jarman, a filmmaker who lived in Dungeness between 1986-1994. The project spatialises ‘Jarmanesque’ qualities architecturally in a filmic way that captures the relationship between time and landscape. Jarman developed a deep blue field of vision before his

Rory Browne

Orchestrating Geochronology | Dungeness, UK | Unit 21 | 2021 Awarded the Bartlett School of Architecture Medal, BScAwarded First Class Honours Geochronology is the field of geology concerned with determining the age and history of Earth’s rocks, sediments, and fossils. Time is inherently encoded into the landscape; this project aims to quantify varying scales of time across numerous architectural elements. The scheme proposes a geochronology museum, archive, and research facility.

Tom Band

Rendering the Dungeness Percept | Dungeness, UK | Unit 21 | 2021 Awarded Distinction for Design & Distinction for Thesis The iconic image of Dungeness – the totemic object sited within a barren landscape – is synonymous with the mechanistic production of the Architectural Photograph. Disseminated by sites such as The Modern House and Dezeen, the imagery shapes our collective understanding of the place, imposing a romanticised fiction upon a

Zixi Chen

Mise-en-Dungeness | Dungeness, UK | Unit 21 | 2021 Awarded First Class Honours The project aims to explore an architectural approach to forming the mise-en-scène, applying this technique to create ‘hyper-authentic’ experiences of Dungeness. Mise-en-scène is a cinematic concept used by filmmakers to create images that express style, narrative, and experience. At the same time, the natural scenery of Dungeness encapsulates characteristic visual qualities that evoke the cinematic perception, attracting

Seb Coupe

The Stone Organ | Isle of Portland, UK | Unit 21 | 2022 sebastian.coupe.21@ucl.ac.uk The environmentally positive ‘stone renaissance’ many hope is beginning within the construction industry runs contrary to an island that has suffered and continues to suffer environmental degradation of its natural landscape at the hands of the quarrying industry. Many within Portland see the preservation of its natural beauty as a crucial element in generating future tourism

Ayisha Belgore

Boundaries | Isle of Portland, UK | Unit 21 | 2022 ayisha.belgore.20@ucl.ac.uk ‘Boundaries’ addresses the definition of architecture across administrative boundaries – how does this impact the building’s form and development ? With two sites spanning across the Isle of Portland and Weymouth, this project focuses on the dichotomic relationship of the edge – allowing the boundary to become a defining element in the building design and construction. Materiality is

Alp Amasya

How to Draw a Hyperobject | Isle of Portland, UK | Unit 21 | 2022 a.amasya.16@ucl.ac.uk Alp’s work takes Timothy Morton’s theory of ‘Hyperobjects’ as a test ground to create a drawing system that translates Hyperobject principles into architecture. The philosophical approach to high dimensional systems is spatialized through digital simulations, focusing on the Jurassic Coast of England. The project creates a drawing method performed by the fossils inhibiting the

Carmen Kong

Archiving Jurassic Coast | Isle of Portland, UK | Unit 21 | 2022 carmen.kong.14@ucl.ac.uk Sited on the Jurassic Coast, this project highlights the paradox of conserving an eroding coast. The Jurassic Coast, the only natural heritage site in the UK is a geomorphological landscape encompassing 180 million years of geological history. The coastline contains multiple fossil localities from the Mesozoic era. The Jurassic Coast acts as a natural archive preserving